Sébastien Jupille’s story begins simply. As a kid he drew constantly, not because anyone pushed him toward art but because it was the activity he returned to on his own. When adults asked him what he wanted to do later in life, he said he wanted to draw. Even then he felt unsure about pursuing […]
In his Berlin studio, Ruprecht von Kaufmann works surrounded by the quiet textures of linoleum, a surface he has made his own. Sheets of it lean against the walls, layered with traces of paint, scratches, and cuts that record both his process and his thoughts. The space feels lived in, not in the cluttered sense,
When Holly Lampen looks back on her younger self, she remembers a girl who sometimes hesitated to share her work. “I don’t know, when I was younger I felt timid about sharing my work or thinking about what my friends were doing, what they were studying,” she says. “My advice to my younger self would
Christopher Schade speaks about painting with the conviction of someone who has been doing it for as long as he can remember. He describes his career as an ongoing loop between painting and teaching. What he makes in the studio influences what he shares with students, and what he learns in the classroom returns to
