Björn Heyn
Björn Heyn does not describe his studio as a workplace. He calls it a playground. For him, that distinction matters. Being an artist, he explains, means holding on to a…
Hugo Winder-Lind
Hugo Winder-Lind does not talk about art as if it is something that can be solved. In fact, he begins from the opposite position. The expectation that someone else might…
What Curators Are Looking For in 2026: Insights From Across the Art World
In 2026, curators aren’t just responding to aesthetic trends – they’re shaping how art is seen, understood, and connected to the wider cultural moment. From community engagement to deeper thematic…
Ranny Macdonald
Ranny Macdonald describes painting as a threshold experience, a place where something begins to take over. “I get a sort of rush from it,” he says, “to be on that…
Cathleen Clarke
Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version of the past, but the gaps that form over time….
Kara Su
Born and raised in Berlin with Kurdish roots, Kara Su grew up far from the traditional art world. Her mother raised seven children on her own. Galleries, collectors, and studio…

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