Amy Bravo’s work unfolds as a raw, layered exploration of emotion, memory, and identity. An ever-evolving practice rooted in intuition, material history, and lived experience. Raised between Queens and New Jersey, Bravo draws deeply from her upbringing, where domestic spaces, family objects, and cultural inheritance shaped her earliest understanding of creativity. Her work today still […]
Hugo Winder-Lind does not talk about art as if it is something that can be solved. In fact, he begins from the opposite position. The expectation that someone else might hold the answers, or that there might be a place to go where everything becomes clear, is something he has long since abandoned. The reality,
In 2026, curators aren’t just responding to aesthetic trends – they’re shaping how art is seen, understood, and connected to the wider cultural moment. From community engagement to deeper thematic frameworks, what curators prioritize reveals not only what gets shown in galleries and museums, but what gets remembered. Below, we unpack what curators are prioritizing
Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version of the past, but the gaps that form over time. The voids. The moments that cannot be fully retrieved. She is interested in what happens next, when imagination steps in to fill what is missing.
Auxier Kline Gallery, New YorkOpening reception: January 16, 2026On view: January 16 – February 13, 2026Location: Auxier Kline, 19 Monroe St, New York, NY, 10002More information: Auxier Kline | Aidan Lapp Auxier Kline presents Hold Still, a solo exhibition by Aidan Lapp that deepens the artist’s ongoing investigation into portraiture as a durational, relational practice.
