Artists

Explore intimate interviews with contemporary artists on Timestamp. Discover their creative processes, inspirations, and perspectives shaping today’s art world.

Mafalda d’Oliveira Martins

Mafalda d'Oliveira Martins - Timestamp

For Portuguese painter Mafalda d’Oliveira Martins, painting is a way of understanding people. Working primarily in oil, Mafalda creates figurative paintings that explore memory, vulnerability, relationships, and the quiet moments that often pass unnoticed. While her paintings frequently begin with ordinary scenes or familiar faces, they become much more than records of reality. They are […]

Dominik Gegaj

Dominik Gegaj - Timestamp

Dominik Gegaj is a contemporary watercolor artist based in Paris whose work explores themes of identity, memory, love, isolation, belonging, and personal transformation. Born and raised in Austria to immigrant parents from Kosovo and Albania, Gegaj has developed a distinctive visual language built around indigo and ultramarine watercolor paintings that balance emotional vulnerability with technical

Brittney Ciccone

Brittney Ciccone - Timestamp

Rather than beginning with a rigid plan or predetermined outcome, Brittney Ciccone enters the studio with curiosity, allowing the work to reveal itself through experimentation, intuition, and process. The paintings that emerge are often the result of unexpected discoveries, accidents, and moments that could never have been planned in advance. That willingness to embrace uncertainty

Vinny Olimpio 

Vinny Olimpio - Timestamp

A blank canvas can be an intimidating thing. For some artists, it represents possibility. For others, pressure. For Vinny Olimpio, it’s an invitation to step into a conversation that has no clear beginning and no definitive end. “I don’t think you’re ever going to stop telling stories until you stop breathing,” he says. “Creating art

Thomas Szott

For Brazilian artist Thomas Szott, art begins with something deeply personal. His paintings, textiles, sculptures, and drawings emerge from memories, emotions, relationships, and the quiet process of understanding how those experiences shape a life. Yet while his work originates from autobiography, Szott is less interested in documenting events than transforming them into symbols, atmospheres, and

Su Su

Su Su - Timestamp

For many artists, inspiration arrives through grand ideas, dramatic experiences, or carefully planned concepts. For painter Su Su, inspiration often begins somewhere much quieter: a bowl of rice, a family story, a childhood memory, or the way a city reveals itself over time. In a conversation with Timestamp, Su Su reflected on the experiences that

Pietro Cavalcanti

Pietro Cavalcanti - Timestamp

Born in Brazil and now living in Portugal, Pietro Cavalcanti describes his practice as a form of attention. A drawer, researcher, teacher, and lifelong observer, he approaches art as a way of tuning into rhythms that already exist within us. His drawings, calligraphic forms, and organic figures emerge not from rigid planning but from a

Kevin Umaña

Kevin Umaña - Timestamp

Kevin Umaña did not plan on becoming the artist he is today. His path moved through architecture school, printmaking, photography, graffiti, ceramics, construction jobs, and years of uncertainty before arriving at the hybrid ceramic paintings he is now known for. For Umaña, the work developed less from a single vision and more from persistence, experimentation,

Shuyao Huang

Shuyao Huang - Timestamp

Born in China and now based in New York City, Shuyao Huang approaches painting less as a pursuit of outcomes and more as a daily necessity. What began as an ambition to study fashion design shifted after arriving in New York, where teachers encouraged her toward fine art. At Pratt Institute, Huang developed both a

Mason Dowling

Mason Dowling - Timestamp

Mason Dowling approaches painting like a risk. Not in theory, but in practice, where each move has the potential to undo everything that came before it. There is no fixed image he is working toward, no clean endpoint. The work is built through a series of decisions that could just as easily collapse the painting