For Brazilian artist Thomas Szott, art begins with something deeply personal. His paintings, textiles, sculptures, and drawings emerge from memories, emotions, relationships, and the quiet process of understanding how those experiences shape a life. Yet while his work originates from autobiography, Szott is less interested in documenting events than transforming them into symbols, atmospheres, and […]
For many artists, inspiration arrives through grand ideas, dramatic experiences, or carefully planned concepts. For painter Su Su, inspiration often begins somewhere much quieter: a bowl of rice, a family story, a childhood memory, or the way a city reveals itself over time. In a conversation with Timestamp, Su Su reflected on the experiences that
Born in China and now based in New York City, Shuyao Huang approaches painting less as a pursuit of outcomes and more as a daily necessity. What began as an ambition to study fashion design shifted after arriving in New York, where teachers encouraged her toward fine art. At Pratt Institute, Huang developed both a
Mason Dowling approaches painting like a risk. Not in theory, but in practice, where each move has the potential to undo everything that came before it. There is no fixed image he is working toward, no clean endpoint. The work is built through a series of decisions that could just as easily collapse the painting
Ranny Macdonald describes painting as a threshold experience, a place where something begins to take over. “I get a sort of rush from it,” he says, “to be on that threshold… it feels like something else is kind of taking over, you know what needs to be done and you’re listening.” In those moments, the
Caroline Absher describes painting with oils as “the most enjoyable thing in the world,” it’s a way of living inside the material rather than controlling it. For her, oil paint is not something to be mastered through precision or restraint. It is something that wants to move, to change, to figure itself out. Control enters
