figurative

Su Su

Su Su - Timestamp

For many artists, inspiration arrives through grand ideas, dramatic experiences, or carefully planned concepts. For painter Su Su, inspiration often begins somewhere much quieter: a bowl of rice, a family story, a childhood memory, or the way a city reveals itself over time. In a conversation with Timestamp, Su Su reflected on the experiences that […]

Noel W. Anderson

Noel Anderson - Timestamp

There’s a moment in talking to Noel W. Anderson where everything shifts from art as object to art as something closer to confession. Not performance, not presentation, but release. For him, making work isn’t about building toward a career milestone or chasing validation. It’s about leaving something behind so it doesn’t follow you. Something you

Adrien Manso

Adrien Manso - Timestamp

Adrien Manso describes making art as an impulse you follow without overthinking, the same way you would eat when you are hungry or swim when you want to swim. This intuitive rhythm defines his entire practice, moving fluidly between drawing, painting, design, and craft without hierarchy. Born and raised in the southwest of France, Manso’s

Madjeen Isaac

Madjeen Isaac - Timestamp

There’s a belief in Madjeen Isaac’s work that the world, as it exists, is not fixed. That it can be reimagined, reassembled, and cared for differently. Her paintings don’t just depict environments; they propose them. Born, raised, and based in Brooklyn, Isaac builds immersive, layered scenes that draw from her Haitian American identity, her upbringing

Cathleen Clarke

Cathleen Clarke - Timestamp

Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version of the past, but the gaps that form over time. The voids. The moments that cannot be fully retrieved. She is interested in what happens next, when imagination steps in to fill what is missing.

Kara Su

Kara Su - Timestamp

Born and raised in Berlin with Kurdish roots, Kara Su grew up far from the traditional art world. Her mother raised seven children on her own. Galleries, collectors, and studio culture were not part of her environment. Art school existed in primary education, but the idea of becoming a painter did not. In her twenties