Brooklyn

Amy Bravo

Amy Bravo - Timestamp

Amy Bravo’s work unfolds as a raw, layered exploration of emotion, memory, and identity. An ever-evolving practice rooted in intuition, material history, and lived experience. Raised between Queens and New Jersey, Bravo draws deeply from her upbringing, where domestic spaces, family objects, and cultural inheritance shaped her earliest understanding of creativity. Her work today still […]

Cathleen Clarke

Cathleen Clarke - Timestamp

Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version of the past, but the gaps that form over time. The voids. The moments that cannot be fully retrieved. She is interested in what happens next, when imagination steps in to fill what is missing.

Hill Spriggins

Hill Spriggins - Timestamp

Originally from New Orleans, Louisiana, Hill Spriggins has been living and working in Brooklyn, New York for the past seven years. She identifies herself simply and decisively as a painter. While people often ask whether she draws, photographs, or works in other mediums, her answer is consistent. Painting is her focus, the only practice she

Caroline Absher

Caroline Absher - Timestamp

Caroline Absher describes painting with oils as “the most enjoyable thing in the world,” it’s a way of living inside the material rather than controlling it. For her, oil paint is not something to be mastered through precision or restraint. It is something that wants to move, to change, to figure itself out. Control enters

Aidan Lapp

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Aiden Lapp grew up in Los Angeles, performing Shakespeare from a young age and spending his early years on stage. “Kind of pretentious,” he jokes, but even then he understood that what drew him in was the chance to be with people, to study them, to shape something creative in their company. That early love

Md Tokon

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When asked what he does, Md Tokon doesn’t call himself an artist. He prefers something simpler: “I always say I’m a painter. I feel good about it.” To Tokon, painting is more than a profession—it’s an identity. The word “painter” holds a weight and clarity that no other label can carry. Tokon was born in

Dean Millien

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Dean Millien sits with an energy that feels both grounded and electric. His hands move across foil and scrap metal the way a painter might move a brush, pulling life out of materials most people overlook. Entering into his space was a welcoming force of passion. Aluminum, tin, and copper line the walls and build