Born in Brazil and now living in Portugal, Pietro Cavalcanti describes his practice as a form of attention. A drawer, researcher, teacher, and lifelong observer, he approaches art as a way of tuning into rhythms that already exist within us. His drawings, calligraphic forms, and organic figures emerge not from rigid planning but from a […]
Kevin Umaña did not plan on becoming the artist he is today. His path moved through architecture school, printmaking, photography, graffiti, ceramics, construction jobs, and years of uncertainty before arriving at the hybrid ceramic paintings he is now known for. For Umaña, the work developed less from a single vision and more from persistence, experimentation,
Mason Dowling approaches painting like a risk. Not in theory, but in practice, where each move has the potential to undo everything that came before it. There is no fixed image he is working toward, no clean endpoint. The work is built through a series of decisions that could just as easily collapse the painting
Björn Heyn does not describe his studio as a workplace. He calls it a playground. For him, that distinction matters. Being an artist, he explains, means holding on to a particular state of mind that can easily disappear in adulthood. Bills arrive, emails pile up, the mailbox fills with responsibilities that feel far removed from
