Björn Heyn
Björn Heyn does not describe his studio as a workplace. He calls it a playground. For him, that distinction matters.
Hugo Winder-Lind
Hugo Winder-Lind does not talk about art as if it is something that can be solved. In fact, he begins
Ranny Macdonald
Ranny Macdonald describes painting as a threshold experience, a place where something begins to take over. “I get a sort
Cathleen Clarke
Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version
Kara Su
Born and raised in Berlin with Kurdish roots, Kara Su grew up far from the traditional art world. Her mother
Logan Sylve
For Logan Sylve, painting is a steadfast companion. “I feel like painting is my first love and the most reliable
Mario Picardo
Mario Picardo approaches painting as a space of personal freedom. The studio is not a site of pressure or anxiety
Hill Spriggins
Originally from New Orleans, Louisiana, Hill Spriggins has been living and working in Brooklyn, New York for the past seven
Brenda Zlamany
Brenda Zlamany has been painting for most of her life, and she speaks about it as a continuous, accumulating act
Henry Ward
In the studio, drawing and painting are the moments when Henry Ward feels most fully himself, even as he admits
Eleanor Arbor
There has never been anything Eleanor Arbor enjoys more than making. It is not about prestige or outcome, but about
Ruben Tönnis
For Ruben Tönnis, art is not just a practice but a way of structuring life itself. Living and working in
Marie-Amélie Chéreau
Marie Amélie Chéreau return to art came after a life that had been deliberately built away from it, shaped by
Caroline Absher
Caroline Absher describes painting with oils as “the most enjoyable thing in the world,” it’s a way of living inside
Sophia Frese
Painting did not begin as a career for artist Sophia Frese. It arrived instead as a kind of return, a