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Cathleen Clarke
Cathleen Clarke has always been drawn to the spaces where memory begins to thin out. Not the sharp, documentary version of the past, but the gaps that form over time. The voids. The moments that cannot be fully retrieved. She is interested in what happens next, when imagination steps in to fill what is missing.
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Kara Su
Born and raised in Berlin with Kurdish roots, Kara Su grew up far from the traditional art world. Her mother raised seven children on her own. Galleries, collectors, and studio culture were not part of her environment. Art school existed in primary education, but the idea of becoming a painter did not. In her twenties
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Logan Sylve
For Logan Sylve, painting is a steadfast companion. “I feel like painting is my first love and the most reliable companion I have,” he says. In a world of unpredictability and disappointment, creativity stands above it all. Even when the act of making art can feel frustrating, the rewards are deeply sustaining, offering a sense
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Mario Picardo
Mario Picardo approaches painting as a space of personal freedom. The studio is not a site of pressure or anxiety for him, but a place of pleasure and ease. Each day he arrives to work, he describes the act of painting as happiness itself. It is not something he worries about or negotiates with. It
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Hill Spriggins
Originally from New Orleans, Louisiana, Hill Spriggins has been living and working in Brooklyn, New York for the past seven years. She identifies herself simply and decisively as a painter. While people often ask whether she draws, photographs, or works in other mediums, her answer is consistent. Painting is her focus, the only practice she
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Brenda Zlamany
Brenda Zlamany has been painting for most of her life, and she speaks about it as a continuous, accumulating act rather than a series of isolated achievements. One painting leads to the next. Each body of work grows out of the previous one. What drives her is not competition with art history anymore, but a
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2026 Trends in Contemporary Art: What Artists, Curators & Collectors Are Talking About
Contemporary art in 2026 is evolving at an unprecedented pace. As the art world continues to respond to cultural shifts, technological breakthroughs, and changing audience expectations, several key trends are emerging that are shaping both creation and reception. At the forefront of this discussion are the voices captured in Timestamp’s ongoing interview series — conversations
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Henry Ward
In the studio, drawing and painting are the moments when Henry Ward feels most fully himself, even as he admits that the act of making art can feel heavy and unavoidable. He describes it as a compulsion that remains inseparable from how he understands himself and the world. If he could choose not to make
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Aidan Lapp — Hold Still
Auxier Kline Gallery, New YorkOpening reception: January 16, 2026On view: January 16 – February 13, 2026Location: Auxier Kline, 19 Monroe St, New York, NY, 10002More information: Auxier Kline | Aidan Lapp Auxier Kline presents Hold Still, a solo exhibition by Aidan Lapp that deepens the artist’s ongoing investigation into portraiture as a durational, relational practice.
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What Art School Doesn’t Teach You About Sustaining a Studio Practice
Art school teaches you technique, composition, and craft—it shows you how to make work. What it rarely teaches is how to talk about your work, build a consistent practice, or keep creating once the structure disappears. For many artists, graduation marks the beginning of a quieter, more difficult phase of their practice — one without
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The Best Art Cities in the World — and Why Artists Travel to Them
Some cities don’t just host art — they actively condition it. Artists travel to these places not only to see work, but to understand how context, pressure, and community shape practice. Below are cities that consistently emerge in interviews as formative, followed by key institutions and galleries that anchor their scenes. New York City New
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What Artist Interviews Actually Preserve That Exhibitions Don’t
The Limits of the Exhibition Exhibitions are the cornerstone of contemporary art, serving as the primary way audiences encounter work. They offer a carefully curated encounter, a visual and spatial narrative that situates objects within a gallery context. But exhibitions, by their very nature, are inherently incomplete. They privilege finished outcomes over the processes that
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Why Long-Form Conversations Matter in an Era of Short-Form Art Content
In today’s media landscape, short-form content dominates nearly every platform. From TikTok to Instagram Reels, thirty- to sixty-second clips dictate how information is consumed, how culture is shared, and increasingly, how art is experienced. Short-form content excels at grabbing attention, but it often does so at the expense of depth. By compressing meaning into digestible
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Eleanor Arbor
There has never been anything Eleanor Arbor enjoys more than making. It is not about prestige or outcome, but about the act itself. She describes art not as a special talent set apart from the rest of life, but as a way certain people are wired. In her words, if you are truly an artist
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Ruben Tönnis
For Ruben Tönnis, art is not just a practice but a way of structuring life itself. Living and working in Berlin, painting gives him a sense of purpose and aliveness. A day spent making art, he says, is always better than one without it. What began as a hobby eventually became the center of his
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Marie-Amélie Chéreau
Marie Amélie Chéreau return to art came after a life that had been deliberately built away from it, shaped by discipline, expectation, and success in a world where becoming an artist was never considered a viable path. What makes her story resonate is not only the transformation itself, but the depth of time that passed
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Caroline Absher
Caroline Absher describes painting with oils as “the most enjoyable thing in the world,” it’s a way of living inside the material rather than controlling it. For her, oil paint is not something to be mastered through precision or restraint. It is something that wants to move, to change, to figure itself out. Control enters
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Terry Szpieg
Terry Szpieg grew up in Muskegon, Michigan, and from as far back as he can remember, drawing was simply something he did. It required no special materials and no permission, only curiosity and a pencil. When he visits his parents today, his mother sometimes pulls out his old sketchbooks from elementary school, filled with birds,
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Sophia Frese
Painting did not begin as a career for artist Sophia Frese. It arrived instead as a kind of return, a recalibration, a way of coming back to herself after years spent inside disciplines that lived almost entirely in the mind. She had painted since childhood, but the moment she allowed it to become central came
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Ádám Dóra
Ádám Dóra is a Hungarian visual artist working between Budapest and Barcelona, whose practice bridges sculpture, installation, drawing, and conceptual research. His work is rooted in the subtle exchanges between the body and its environment, how gestures become form, how memory settles into material, and how attention transforms the ordinary into something quietly transcendent. Through
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Sebastien Jupille
Sébastien Jupille’s story begins simply. As a kid he drew constantly, not because anyone pushed him toward art but because it was the activity he returned to on his own. When adults asked him what he wanted to do later in life, he said he wanted to draw. Even then he felt unsure about pursuing
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Eva Dixon
From the beginning, Eva Dixon’s relationship to making things was tied to the rhythms of labor and construction. She grew up watching their dad build the houses they lived in, convinced as a child that they were helping just as much as he was. The garage became their first studio, a place where she felt
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Marc Sparfel
Marc Sparfel’s story begins with an act of discovery, the kind that happens quietly, without expectation. Born in Brittany, France, he grew up surrounded by nature, with animals and trees forming the backdrop of his earliest memories. He speaks of this time as one filled with observation, a sensitivity to the natural world that would
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Ruprecht von Kaufmann
In his Berlin studio, Ruprecht von Kaufmann works surrounded by the quiet textures of linoleum, a surface he has made his own. Sheets of it lean against the walls, layered with traces of paint, scratches, and cuts that record both his process and his thoughts. The space feels lived in, not in the cluttered sense,
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Amélie Caussade
Amélie Caussade‘s journey as an artist began unexpectedly, born from a moment of sudden disruption. In 2009, an injury brought her theater career to an abrupt halt, confining her to her Paris apartment and isolating her from the physical world of performance she had known. It was during this period of stillness that she turned
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Julie Stoppel
Julie Stoppel never planned to become an art teacher, or a gallery owner for that matter. But in her life, the most meaningful turns have often come from spontaneous moments, from saying yes before she had time to think. As a child, she was always drawing. “I was the kid who sat next to the
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Nancy Goldring
Nancy Goldring remembers her first studio vividly. It was not a grand loft in New York or a well-lit atelier in Italy, but a corner of her family’s basement in St. Louis, Missouri. She was a child, and her mother, wanting to keep her occupied, gave her a small space to call her own. “My
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Antwan Horfee
Antwan Horfee’s story begins in the northern suburbs of Paris, where restlessness pushed him away from the classroom and into the city’s hidden corners. He remembers dropping out of school at a young age and deciding he wanted to “be in the wild.” That meant spending hours outside, searching for places where creativity lived just
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Vasco Del Rey
Vasco Del Rey’s journey as a painter began with a small, bright green and yellow sketchbook his mother bought him when he was six years old in Mexico. “She had a passing promise,” he recalls. “’I’ll buy it for you if you use every page.’ At the time I didn’t think I was going to
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Logan T. Sibrel
Logan T. Sibrel’s journey as an artist began in the quiet town of Santa Claus, Indiana, where the natural rhythms of rural life shaped his earliest interactions with the world. “I was always drawing and painting just kind of as a pastime,” he explains. “Because of where I grew up, which was quite rural and,
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Josie Girand
When Josie Girand talks about her early years, she remembers moving quietly through classrooms, feeling out of place in her own skin. Those years left her with a sense of introspection that would later shape her art. “I used to be really shy,” she says. “I felt like I was covered in grease… and I
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Holly Lampen
When Holly Lampen looks back on her younger self, she remembers a girl who sometimes hesitated to share her work. “I don’t know, when I was younger I felt timid about sharing my work or thinking about what my friends were doing, what they were studying,” she says. “My advice to my younger self would
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Aidan Lapp
Aiden Lapp grew up in Los Angeles, performing Shakespeare from a young age and spending his early years on stage. “Kind of pretentious,” he jokes, but even then he understood that what drew him in was the chance to be with people, to study them, to shape something creative in their company. That early love
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Yael Dresdner
Yael Dresdner speaks with the same focus that appears in her work. When she describes painting, it isn’t with grand gestures or lofty words but with a simple truth: “It’s a necessity. Almost like eating and sleeping.” From Israel to the United States, from graphic design to painting her path has always circled back to
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Christopher Schade
Christopher Schade speaks about painting with the conviction of someone who has been doing it for as long as he can remember. He describes his career as an ongoing loop between painting and teaching. What he makes in the studio influences what he shares with students, and what he learns in the classroom returns to
What is Timestamp?
Timestamp is a platform for meaningful conversations with the people shaping the world of art. Through intimate interviews with artists, curators, gallerists, collectors, patrons, and thinkers, Timestamp captures raw, unfiltered moments that illuminate how art is made, supported, understood, and felt. Each episode offers a window into the inner lives of artists, revealing their philosophies, obsessions, and process behind-the-scenes.